According to a number of theories there are elements of sacred
geometry concealed in the position of various key locations in the
Languedoc, and also in various paintings, especially those of Nicholas
Poussin.
Various mathematical techniques used in Poussin's paintings - not
just the rules of perspective, but the use of ratios such as the
golden section or golden ratio.
The bogus "manuscripts" associated with the mysteries
of Rennes-le-Château
also feature geometric features.
Beyond this, all attempts at placing locations on significant ley
lines, or constructing pentacles on maps, or projecting straight
lines in an attempt to match points of intersection with something
significant have failed to produce anything of interest whatsoever.
If you are convinced that there is something in this sacred geometry
- then you might be fascinated to know that if you take a map of
any scale, and choose any three Languedoc post offices then the
key-holes of their front doors will always, to within a millimeter:
- lie precisely on the circumference of a circle.
- form the exact vertices of a triangle.
- correspond to three of the four vertices of a parallelogram.
If you find this astonishing, you should seek immediate help from
someone conversant with elementary geometry.
If you do not find this astonishing, then you might ask the obvious
question of any example of supposed sacred geometry - namely what
is the degree of error (something that should be elementary - so
an absence of any mention of it can be taken as the hallmark of
a bogus claim).
If you want to learn more about these questions from experts like
Henry Lincoln, on location in the Languedoc, you might be interested
in Templar
Quest Tours.
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